After Hawkshead, Wordsworth studied at St. The darker interpretation of these lines would emphasize the fact that she now seems entirely passive: This might be interpreted as her death being far too overwhelming for him to even mention it in a direct manner.
Once again, then, the poem raises questions in ways that its apparently simple phrasing and structure might not have led us to suspect or predict.
He explains and describes her death and how he sees her in that state.
The genesis of these poems has still remained a mystery. The poem does not say that she had died; there is no factual statement of the kind. Those lines hint at us that the woman has died she cannot age for she is dead. In this poem he speaks about the exquisite charm, beauty, vitality, and gaiety of Lucy who was 'Nature's darling'.
Later that year, he married Mary Hutchinson, a childhood friend, and they had five children together.
While living in France, Wordsworth conceived a daughter, Caroline, out of wedlock; he left France, however, before she was born. The initial connotations, then, are not of death, but of the entirely pleasant state of slumber untroubled by fears of any kind.
While touring Europe, Wordsworth came into contact with the French Revolution.
Other interpretations, however, suggest that by the end of the text his peace has been disrupted. The first is built upon an even, soporific movement in which figurative language conveys the nebulous image of a girl.
That is, Lucy has been absorbed into nature. She is nothing; she sees nothing, she hears nothing, she cannot herself move, she is beyond time, unchangeable, eternal.
Wordsworth, whether genuinely or imaginatively, loved this girl very much. She is nothing; she sees nothing, she hears nothing, she cannot herself move, she is beyond time, unchangeable, eternal.
John's College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry and his political sensibilities. Similarly, the line lengths are completely symmetrical: Inwhile living in Grasmere, two of their children—Catherine and John—died.
The last two lines of the poem emphasize again the complete lack of animation that characterizes death: In the second stanza, the whole irony of the diction of the first stanza becomes apparent.
I chose this poem because of its ethereal sort of atmosphere. Wordsworth, at his best is with Shakespeare. Although Wordsworth worked on The Prelude throughout his life, the poem was published posthumously.
After Hawkshead, Wordsworth studied at St. We are made to think and to feel; we are shocked; we are aware of a fundamental irony of life; we realize the power of grief and even feel grief; and we respond to the structure of the poem, its arrangement of its various elements, its beauty.
Her charm and loveliness was enough to devoid him of his reason. Inwhile living in Grasmere, two of their children—Catherine and John—died. Subtly, then, the two stanzas, though dealing with two sharply contrasted ideas—the first with the intense kind of love and the second with death—are nevertheless linked through the diction of the first stanza which foreshadows on a secondary level the content of the second stanza.
She seemed a thing that could not feel The touch of earthly years. She is not even a violet or a star; she is nothing as tangible or visible even as those two inhuman objects. We do not feel that the poet and Lucy are as dead as stones; the effect of the poem is to make us feel that stones and trees are alive, and that the daily turning of the earth is a positive, living movement, not a mere mechanical rotation.
I chose this poem because of its ethereal sort of atmosphere. Are these lines optimistic or pessimistic. Death is the essence of the second stanza, and the merest suggestion of it in the first line of the poem becomes a dominant reality in the second stanza.
The paradox, too, serves to emphasize her lack of animation; she is the powerless thing to which motion is imparted by the turning of the earth.
Lucy is equated with rocks and stones and trees. A Slumber Did My Spirit Seal (William Wordsworth, ) A slumber did my spirit seal; I had no human fears: She seemed a thing that could not feel The touch of earthly years.
No motion has she now, no force; but with today’s poem I think my headmistress may have had a point. Feb 19, · Poetry Analysis "A Slumber did my Spirit Seal" by William Wordsworth.
'A Slumber Did My Spirit Seal' is the greatest of the Lucy poems composed by William Wordsworth and probably one of the greatest in the English language. This brief elegy on Lucy belongs to that group of exquisite lyrics, which are collectively known as 'Lucy' poems. Mar 26, · A Slumber Did My Spirit Seal.
by William Wordsworth. A slumber did my spirit seal; I had no human fears: She seemed a thing that could not feel The touch of earthly years. No motion has she now, no force; She neither hears nor sees; Rolled round in earth’s diurnal course With rocks, and stones, and trees.
poem analysis "A slumber did my spirit seal" was a lyrical ballad/elegy written by William Wordsworth() in while on his travels in Germany, during the Romantic Period. It was one of the five famous "Lucy" series Poems. A slumber did my spirit seal; Discussing prose written by poets, Joseph Brodsky has remarked, “the tradition of dividing literature into poetry and prose dates from the beginnings of prose, since it was only in prose that such a distinction could be made.”.An analysis of a slumber did my spirit seal a poem by william wordsworth